Opera Soprano and Co-Founder, Sing for Hope
BY MELISSA WALKER
Monica Yunus is the co-founder and co-executive director of Sing for Hope, a nonprofit that transforms lives by bringing the power of the arts to those who need it most. She has also performed with the world’s leading opera companies, including The Metropolitan Opera and Washington National Opera.
She has received a host of honors, including a 21st Century Leaders Award, 2013 Congressional Citation, and this year was honored as a young global leader by the World Economic Forum.
Monica is the daughter of Nobel Peace Prize Laureate Muhammad Yunus, and during a short residency for her recent role as Lauretta in the Opera Santa Barbara performance of Gianni Schicchi, she spoke with impactmania about the influence of her father, and the impact of music in both her own life and those influenced by Sing for Hope.
What’s it like working with Opera Santa Barbara in comparison to other operas you have worked with worldwide?
I’ve been really having a wonderful time working with Opera Santa Barbara, and the wonderful family that is Opera Santa Barbara that includes Steven Sharpe and the new artistic director, Kostis Protopapas, and the wonderful conductor, Aaron Breid, who has been brought in for this wonderful production of Suor Angelica and Gianni Schicchi.
I have a very interesting story with Gianni Schicchi, in that I sang the great aria O Mio Babbino Caro from that opera at my father’s Nobel Peace Prize Concert, and funnily enough I haven’t sung it in the opera until this moment. So it’s great to actually have the context of the opera. The production is very funny, it’s actually a comic opera.
It’s been a wonderful experience to be here with Opera Santa Barbara, and, of course, the setting of Santa Barbara is just gorgeous. It’s been a real treat.
How was the experience of winning the young global leader honor from the World Economic Forum?
I’ve been named 2016 young global leader from the World Economic Forum, and I was very excited to meet a group of young global leaders in New York and the way it works is that there are many, many meetings.
There are young global leaders focused meetings in all parts of the world where you can meet people from all over that are doing phenomenal work. I’m very excited to see what the full experience will bring to me.
You organized a benefit for Hurricane Katrina that led to the development of Sing for Hope. Was there a pivotal moment when this idea came about?
In addition to being a soprano, I should probably take a step back at this point, and talk a little bit about that.
I really wanted to become an opera singer and was very lucky to have key people in my life who allowed that to happen. Not the least of which my mother, who gave so much attention and nurturing to making sure that I had not just the basics of music lessons but also trying to seek out programs.
That would expose me to a much wider group of young artists who were trying to achieve the same thing. For example, I went to Aspen Music Festival for many summers in high school. Before that, I was a student at the Boston University Tanglewood Institute. Then, I went to Julliard as an undergrad and also did my master’s degree there.
I was lucky enough to, once again, be surrounded by excellent musicians and teachers, and that was the moment when Sing for Hope happened.
I was at Julliard at the unique moment that 911 happened while I was a student there. And it was very obviously, very tragic, and it brought many of us to the question of, why are we doing this thing? Why are we putting ourselves in a small room and practicing, and practicing to be on stage? What effect does that have on a greater community? That was a question that really catalyzed the creation of Sing for Hope.
I met Camille Zamora, and Camille had lost a dear friend of hers to HIV/AIDS. When that happened in her life it was a pivotal moment, and she started a concert called Sing for Hope that raised funds for the HIV clinic where her friend died. She did that concert year after year.
When she and I met, I had hoped she would ask me to be on that concert, and we started a conversation after Katrina. I had a similar feeling that I needed to do something, but I didn’t know what. So I turned to her and I said, I know you do this concert. Could we do something similar, because I just feel like I am not being very useful. And so we put together a concert, we brought on our friends, and we raised some money for the survivors of Katrina.
In 2016, we’re now celebrating our ten year anniversary, and what Sing for Hope does is very simple – it brings artists together who volunteer their time to schools, hospitals, elder care facilities, and we do the country’s largest public art project called the Sing for Hope Pianos, which is in its fifth iteration.
We are very proud to be putting out 50 artist-designed, artist-credited pianos on the streets and parks of public spaces in New York City for anyone and everyone to play.
And this year the pianos will be donated to schools in New York City, so we have a partnership with the Department of Education where all 50 pianos will be donated to the schools of New York.
Bringing the arts to children is a passion for myself, and for Camille. And we’re also very honored to be included in the inaugural Kennedy Center Citizen Artists of 2016, and exploring what it means to be a citizen artist. To me, I know that it ties very much into what we’re trying to do at Sing for Hope, which is to make, very simply, art for all.
And that means accessibility. The fact is that, fundamentally, we need that in our lives. Particularly, as children and as we grow so that we can become innovative thinkers as adults. That we can really incorporate that into our lives and make our lives richer.
What’s sad to me, as an artist – and as somebody who is exploring that question of what the arts mean – it’s very important to me to figure out how that works into everyday life. It’s just as important to study the arts and incorporate that into our learning.
If we don’t do that then society will pay for it in some way or another and I think we already are, so it’s a very important topic to address.
Are there any students or a particular student in Sing for Hope programs that have reached, or are attaining success in, the music industry?
Sing for Hope’s programs range from professional artists who go and volunteer, and we also have a youth chorus and an arts intensive which is a free summer arts camp that exposes kids to different musical and performing arts genres.
It’s wonderful to see familiar faces come back year after year for those programs. I hope to hear great news about these young people. Whether or not they go into the arts is up to them, but I know that the exposure that they’ve had through Sing for Hope will serve them well.
What’s the age range of the children?
We have a partnership with YMCA New York, and those kids range from high school to third grade. Mainly I would say we work with high school students.
How many students you think you’ve helped through the programs?
I would say this year we’ve worked with about 600 kids annually.
What was it like for you growing up and what’s your fondest memory as a child that helped shape who you are today?
I had a very normal childhood. I grew up in Jackson, New Jersey, with my Russian grandparents and my Russian mother. I was heavily influenced by Russian culture, and grew up speaking Russian.
I always loved to sing. I think it was very much one of those things that was just inherited. My grandmother had a beautiful voice, and I grew up literally singing in my driveway to the birds. Inevitably, I think my mother figured out that I had a beautiful voice and she really wanted to nurture it.
She sent me to a Russian voice teacher who had been heavily influenced by the great Rosa Ponselle, who’s a very famous opera singer, and was commemorated on a U.S. stamp.
Having access to this very rich cultural heritage definitely helped shape the way I approach music.
What’s it like to have a father who is a Nobel Peace Prize winner.
What I like to say about having a father who has won a Nobel Peace Prize is that there’s no pressure, right?!
What I like to say about having a father [Muhammad Yunus] who has won a Nobel Peace Prize is that there’s no pressure, right?! It’s an honor, obviously. For our family it was a fantastic thing and it’s very inspiring to see the work that he’s done over the course of his lifetime. Even more so, that it has inspired so many other people to really try to tackle poverty through many different ways.
He inspires me in that he continues to stay on top of all of the things that are that are happening currently to see what else can be done.
What’s the best advice that your father had given you that resonates with you even now?
I would say that his philosophy of just keeping moving forward at all times. There is no looking back, there’s only moving forward. And that’s something that I see him do no matter what comes his way that I really appreciate. No matter what, you can’t rest on your laurels.
You always have to be looking for what is the next step in your own development, and in your development to help others. Not letting setbacks derail you, but really just moving ahead and just forging that path for yourself.
Who is your impact maker?
Monica Yunus photo and Sing for Hope videos courtesy Monica Yunus and Sing for Hope. Muhammad Yunus photo courtesy Melissa Walker, and Monica Yunus impact maker video by Melissa Walker.
Thank you to Steven Sharpe from Opera Santa Barbara for connecting impactmania with Monica Yunus.